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Architecture

Architecture before decoration

Every BASE project is designed from its architecture outwards. The façade, its rhythm and its materials lead; decoration follows or is left out.

Street-level view of buildings B3 and B2 rising above a garden of pines, blue-green conifers and trees with red autumn leaves.
Artist’s impression

Architecture

The façade

One bay of the building: slab, faceted column, slab. The columns are square antiprisms and are the same on every floor.

Façade detail of building B3: a faceted champagne-coloured column, a clear glass balustrade, a planter with grasses and outdoor furniture.
Artist’s impression

The façade signature

The rhythm of the columns becomes the project’s graphic signature.

The façade of building B2 at blue hour, with the upper storeys of building B3 on the left, lit wall lights and lines of light along the slab edges.
Artist’s impression

Façade materials

Faceted columns in a champagne tone, anthracite slab edges and glazing base profiles, and glazing with no visible frames.

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Images of the façade

  • Wide street-level view of buildings B3 (left) and B2 (right), with the garden trees in front of and between them.
    Artist’s impression
  • Corner of building B2: champagne-coloured faceted columns, anthracite slab edges and balconies with clear glass.
    Artist’s impression
  • Upper floors of building B2 seen from above: champagne-coloured faceted columns, dark slab edges, clear glass and light-coloured balcony floors.
    Artist’s impression
  • Balcony detail of building B2: faceted champagne-coloured columns, anthracite slab edges, clear glass and light-coloured floors.
    Artist’s impression
  • Detail of the corner of building B2: champagne-coloured faceted columns, anthracite slab edges and frameless glass balustrades.
    Artist’s impression
  • Balconies of building B2 with faceted champagne-coloured columns, anthracite slab edges and clear glass balustrades, with outdoor furniture and a tree with red leaves below.
    Artist’s impression
  • Building B3 and one wing of B2 at blue hour, with lit balconies and lines of light along the slab edges.
    Artist’s impression

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